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Dr. Manfred Clynes |
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Some Publications by Dr. Manfred Clynes Dealing with Music |
- Clynes, M., in preparation, The Interpretation of Music . MIT Press.
- Clynes, M. (1998). "SuperConductor : The Global Music Interpretation and Performance Program", Invited paper to be published in the Journal of New Music Research.
- Clynes, M. (1995). "Microstructural Musical Linguistics: Composer's pulses are liked best by the best musicians", COGNITION, International Journal of Cognitive Science, vol. 55, , pp. 269-310
- Clynes, M. (1994). "Entities and brain organization: Logogenesis of meaningful time-forms", Proceedings of the Second Appalachian Conference on Behavioral Neurodynamics Erlbaum Press, N.J.
- Clynes, M. (1994). Comments on "Patterns of expressive timing in performances of a Beethoven minuet" J. Acoust. Soc. Am, August 1994.
- Clynes, M. (1993). Program of the Annual Meeting of American Association for the Advancement of Science, (AAAS,) Boston, February 1993 pp.. 58-59.
- Clynes, M. (1992). "Time-forms, nature's generators and communicators of emotion", Proc. IEEE Int. Workshop on Robot and Human Communication, Tokyo Sept. 1992, pp. 18-31.
- Clynes, M. (1990). "Mind-body windows and music", Musikpaedagogische Forschung, Vol. 11, pp. 19-42, Essen, Germany: Verlag Die Blaue Eule.
- Clynes, M. (1990). "Some guidelines for the synthesis and testing of Pulse Microstructure in relation to musical meaning", Music Perception, 7, 4, 403-422.
- Clynes, M., S. Jurisevic, and M. Rynn (1990). "Inherent cognitive substrates of specific emotions: Love is blocked by lying but Anger is not", Perceptual and Motor Skills, 70. pp 195-206.
- Clynes, M. (1988). "Generalised emotion, how it is produced and sentic cycle therapy" in Emotions and Psychopathology edited by M.Clynes and J. Panksepp, (Plenum Press, New York) pp. 107-170.
- Clynes, M., (1987). "What a musician can learn about music performance from newly discovered microstructure principles, P.M. and P.A.M", in Action and Perception of Music, edited by A. Gabrielsson (Publications of the Royal Swedish Academy of Music, No. 55, Stockholm) pp. 201-233.
- Clynes, M. (1986). "Generative principles of musical thought: Integration of microstructure with structure", Comm. and Cognition, CCAI, Vol. 3, 185-223.
- Clynes, M. and J. Walker (1986). "Music as Time's Measure", Music Perception 4,1,85-120.
- Clynes, M. (1985). "Secrets of life in music" in Analytica, Studies in the description and analysis of music in honour of Ingmar Bengtsson. Publication of the Royal Swedish Academy of Music, No 47 pp. 3-15.
- Clynes, M. (1985). "Music beyond the score", Communication and Cognit.,19, 2, 169-194.
- Clynes, M. (1983). "Expressive microstructure linked to living qualities" in Publications of the Royal Swedish Academy of Music, No. 39 edited by J. Sundberg pp.76-181.
- Clynes, M., and Nettheim, N., (1982). "The living quality of music, neurobiologic patterns of communicating feeling", in Music, Mind and Brain: the Neuropsychology of Music edited by M. Clynes, (Plenum, New York) pp. 47-82.
- Clynes, M. and J. Walker, (1982). "Neurobiologic functions of rhythm, time and pulse in music", in Music, Mind And Brain: the Neuropsychology of Music edited by M. Clynes, (Plenum New York) pp. 171-216.
- Clynes, M. (1980). "The communication of emotion: theory of sentics", in Theories of Emotion Vol. 1, edited by R. Plutchik and H. Kellerman, (Academic Press. New York) pp. 171-216.
- Clynes, M. (1977). Sentics, the touch of emotion. (Doubleday Anchor, New York.)
- Clynes, M. (1973). "Sentics: biocybernetics of emotion communication", Annals of the New York Academy of Sciences, 220, 3, 55-131.
- Clynes, M. (1972). "Sentography: Dynamic forms of communication of emotion and qualities", Comput. Biol. Med., 3, pp. 119-130.
- Clynes, M. (1970). "Towards a view of Man", in Biomedical Engineering Systems, edited by M. Clynes and J. Milsum , (McGraw-Hill, New York), pp. 272-358.
- Clynes, M. (1969). "Precision of essentic form in living communication," in Information processing in the nervous system, edited by K.N. Leibovic and J.C. Eccles, (Springer, New York), pp. 177-206.
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