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SuperConductor - The Global Music Interpretation and Performance Program
(1998)
Time-Forms, Nature's Generators and Communicators of Emotion
Keynote paper, Proceedings of the IEEE International
Workshop on Robot and Human Communication, Tokyo, Japan, Sept. 1992
Generative Principles of Musical Thought Integration of Microstructure with Structure
CCAI, Journal for the Integrated Study of Artificial Intelligence, 1986, Vol.3, No.3, pp. 185-223.
MicroStructural Musical Linguistics: Composer's pulses are liked best by the best musicians
COGNITION, International Journal of Cognitive Science, vol. 55, (1995), pp. 269-310
Entities and Brain Organization: Logogenesis of Meaningful Time-Forms
Proceedings of the Second Appalachian Conference on Behavioral Neurodynamics, 1994
Musical Microstructure Mirrors Brain Function: Optimal Durations of Beethoven's and Mozart's Pulse Elements
On Music and Healing Somatics, the Magazine-Journal of the Bodily Arts and Sciences, Autumn/Winter 1987/88, pps. 20-27
What Can A Musician Learn About Music Performance From Newly Discovered Microstructure Principles Action and Perception in Rhythm and Music; A. Gabrielsson (Ed.), the Royal Swedish Academy of Music No. 55, 1987
The Living Quality of Music, Neurobiologic Patterns of Communicating Feeling
From Music, Mind, and Brain (The Neuropsychogy of Music), Ed. Manfred Clynes, Plenum Publishing Corp., 1982
Neurobiologic Functions of Rhythm, Time, and Pulse in Music
From Music, Mind, and Brain (The Neuropsychogy of Music), Ed. Manfred Clynes, Plenum Publishing Corp., 1982
Music As Time's Measure
Music Perception, Fall 1986, Vol. 4, No. 1, 85-120 |
