Dr. Manfred Clynes

Dr. Manfred Clynes

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  • S o n a t a
    by
    Manfred Clynes



    I. Allegro vivace
    II. Adagio molto, con intimisso sentimento
    III. Scherzo: malevole, con soldi
    IV. Rondo: a una planetta piccolla




    I
    Allegro vivace
    (only human feet dance to music)
    
    
    There is music in the world   -
              How did it get there?
    The birds that sound, 
              What does song    bring to them?
    
    
    To sing you need
     ears to hear 
     made before song, 
     but maybe ear and song were made together,
     as  were, much later,
     the  sounds of laughter   and their feeling.
    
     Singing animals,
     Whales and wolves
     donkeys and lizards,
     the cicada, male and female   -
     -  they listen.  
    
    But we  adore the nightingale,
    whose name itself  sings music
              in our minds.
    
     For us, 
     singing and dancing animal  we are,
    music is different. 
    
    The other animals   do not dance
    To their own music,
    Nor to ours.
    
    Music goes to our feet, alone among animals.
         It can make us proud
              Or sad. 
         And we are glad to be sad,
    When we know it is music
     that makes us sad. 
    
    Lets us  feel joy 
              without a gift,
              in the dark, as sunshine is withheld
    
              - and feel terror 
    in a sunlit flower garden.
    
    Its freedom lifts us, when we're depressed,
    Relieves, when  stressed
    
    Makes us feel what  never we have felt before
    In our own private silence
    
    At best, it tells us of things bigger than ourselves
    How we are so small compared with the stars
    At night.  It teaches us to believe.
    What things? We could not tell in words.
    But that's what music's for.
    
    Music is the food of love, it says, and is not far wrong:
    Love and many other things.
    Music is food:  For our need to live
    with feeling   when there is none to have,
    -  and for our need, and longing   to share
    ---  as there always is.
    
    It tells us things bigger than ourselves
    What things?   We feel we know for sure.
    
    And then,  they say,   there is the music of the spheres, the music in the ears of God.
    But God has no ear
    No frequency response, no DNA
    He cannot hear our music
    since he has no ear  (nor two for stereo).
                   (he should have four at least).
    
    Perhaps  he can feel, without a nervous system
    Perhaps he has taught us to feel, the best way we can
    Perhaps when he invented love,   he gave us part of himself
    And put it in our nervous sytem  to do with what we may,
    
              With music  shall   give  him thanks for it, 
    
                        -    more than that    we cannot say.
    


    II
    Adagio molto, con intimisso sentimento

    Immortal Beloved

    (why there is music)

    
    In music we find
    
    the forms of our being
    
    reflected  -
    
    mirrored back unto us
    
    we delight in
    
    being 
    
    what we are.
    
    
    How could we 
    
    not know ?
    
    It takes music 
    
    to show us 
    
    the better world
    
    in which we live 
    
    all the time.
    
    
    It takes a Beethoven,
    
    A Bach to show us
    
    The foundation.
    
    The foundation
    
    we are in touch with
    
    ignored by Freud   -
    
    the rest is noise.
    


    III
    Scherzo malevole, con soldi
    (Bank)Roll the Drum

    rock our sole and body...
    A man who has no music in his soul
    is fit for stratagems and spoils, says Shakespeare.
    We have no music in our souls
    no souls at all, says neuroscience
    But we do have the Dictatorship of Music
    we love to obey the dictates of music
    "in our heart"
    Except: science says, we have no "heart"
    Our real heart knows little of music -
                Brains, then;  we feel music through our brains: 
                The drum drives  -

    Driven brains dance
    To turbid chant
    Driven brains dance, to turbid chant
    Drriven brains dance, to turgid chantt
    Drriven brains dance, to turgid chantt
    
    Driven the dance, to brains,  the drum
    Driven the dance to brains,  the drum
    Driven the dance to brains,  the drum
    Driven the dance to brains,  the drum
    
    Driven, the drum, driven, the drum
              Driven, the dance to brains, 
              Brains.
    
    Who drives  the drums? Who drives  the drums?
    Money   lenders,  drive the drums
    Money   lenders,  drive the drums
    Lower  lower, lower and low
    Lower  lower, lower and low
    Denominator   dominator.
    De-nominator   dominator.
    Louder  louder, louder and loud
    Louder  louder, louder and loud, the 
    Money   lenders, drive the drums, the
    Money   lenders, drive the drums.
    
    For higher   profits, drive the drum
    For higher   profits, drive the drum
    What profits a man, to drive a drum
    What profits a man, to drive a drum
    What profits a drum, to drive a man
    What profits a man
    Damn.
    
    Everybody knows,   sex is good
    Everybody knows,   sex is good
    Sex is good,  sex is good,  sex is good,  sex is good
    Everybody, ---    every body   --  
    Everybody wants it,  sex is good
    Everybody wants it,  sex is good
    Everybody knows it,  sex is good
    Everybody knows it,  sex is good
    Everybody likes it,  sex is good
    Everybody likes it,  sex is good
    Everybody likes it,  sex is good
    Everybody likes it,  sex is good
    Good.                     Damn Good.
    
              But, what to do with all that money?
    

    (music for sex and sole)


    IV
    Rondo a una planetta piccolla

    As our music goes to the feet
         we march to the tune of the piper -
              To war even, in  bad old days.
    
    But todays wars 
              do not support music  -
    
    the nuclear and missile arsenal
              is not made riper
                        through music  
                        (should we be glad?)
                                  not even in Bosnia.
    
    But forget the feet.  To the point:
    An animal does not sing to change its feeling
    contrast feelings, 
    make a whole that means more than its parts.  
    That's art.    Our art.  
    Compare, in the now
    the new and the recent old,  
    anticipate the story, as it unfolds,
    but most of all, to know  that it is a story .
    
    A dog cannot be told a story.
    He will bark at the wrong time.  Or not bark at all.
    He can't tell a story from present truth, 
    at least for any length of time, though he can play and disappoint.
    
    For him
    there is no truth in music. 
    But for us there is.
    That is the difference.
    
    So many truths are clothed in music.
    The most luminous  and numinous    are these:
              "When music is pure the heart is pure", 
                        and also strangely, its reverse,
              "When  heart is pure, then  music is pure." But
    
    what  means this,  since already  we have  seen
     there is no heart?   
              -  is this  gobbledygook,  maybe even insane ?
    Yes and No.     Let us explain.
    
                                  (This is serious stuff.)
    Translating now to science,  say pure essentic form instead of      "pure" .
              Heart means: 
    pure essentic form
    produces feeling,  through  amygdala  - the gateway  -  
              passing hence  to  high brain centers,
    a feeling which leads us far to beauty: 
      only the purest form can do it,
    we are  made so, that it alone is  key
              to that lock to our nervous system,  
              that can 
              unlock its touch for us. 
    
    The pure in heart make beauty,
     are seduced.   Precise is the form,
    its joy  suffused,
    centered on its being.
    It says:  seek and you shall find. 
    
    A piece of music is a storehouse for essentic form.
     -    our human heritage. 
    Music holds it secure
    for hundreds of years, 
    to be rediscovered by men yet unborn
    
     It teaches you how to perfect its form.
    Your feeling is the natural guide.
    And yet a guide given   "from above".
             "Listen carefully inwardly, 
              and produce outwardly precisely what you hear:
              Then it will be beautiful,"  said Casals, and did it.
    
    
    As Beethoven invented his
    last music,  he fashioned it   
    deaf to all sound   not from inside
    
    a  music never heard before
    that did not go  to feet
    but danced within
    with joy 
    
    with  sense of bliss, of strength without destructive violence
    of which many saints  told us,
    and many rabbis and gurus. 
    
    And outside and inside became
              The same,    so it seemed.
    
    How he gave to us free
    the means so we  could be  free,
     save us,
    as he put it!   Generous, presumptious? perhaps both, or not,
    but he was right,
    
    caring for caring's sake,
    with wisdom, knowledge, love intertwined
    
    but we did not see the fun
    for many generations, and most of us forgot:
    his last unheard of message was unheard
              as if we were deaf
                        til now.